By this I mean that we no more have a closed system typical of Origami where a procedure exists to create a model and can return to the starting point. It is arguable that it is the closed-system through which can some- how break, that is the real characteristic of Origami. ShapingRegular figures such as triangles, pentagons are well founded for Origami.
Avion en papier
Origami Instructions Free Online Picture also shows the results graphically of moving away from the 'purest' form of Origami in each one of the eight directions. In some cases I use marked the art as 'open-ended', for example paper-cuts.
Uchiyama is reported as Avion En Papier Planeur Pro acquiring a patent in 1908 for 'KOKO'. style origami which appears to be the same in idea. Japanese books are packed with slitting to achieve ear or a tail or even legs. Perhaps one of the most celebrated examples of theme 'slits to avoid folding' is in Fred Rohm's Festival pony in which 2 cuts are made, one for the ears and the other to give enough points for the legs. Rohm folded his Festival pony without cuts but the technique is then much more complex. Thus we have 2 motives for cutting appearing here; one to create new opportunities and the other to avoid the complexities Origami Crane Drawing of a model achieved exclusively by folding.
Kent du Pre has done such work with Symmetric figures such as stars from which flowers can be folded. Irregular figures have came out occasionally, but the most extreme form occurs in Paper Miracle with Rolf Harris's models. Silhouettes have zero restrictions in the Origami sense and are of course carefully related to paper trimming. In its simplest form cuts are made prior to folding in a symmetric and planned way which will 'open up' the material available without the need for excessive thickness. The most recent mention of the techniques is by Toshie Takahama who refers to it as
In a corner of the Sustenance Industry Pavilion at EXPO', electricity was used to make Origami pigeons argument their wings. Modelling This is now usual in animal folds to call for a final modeling particularly if foil has recently been used and one can be certain of the material remaining in place. A contemporary example of this is in Pat Crawford's models. Neal Elias who probably led the move in the West to THREE DIMENSIONAL insists on any modeling following the folding The thought of wetting the paper is apparently Japanese in origin was demonstrated by Un Bateau En Papier De 20m De Long Qui Flotte Yoshizawa at a Convention in Birmingham. Another method of damp moulding using paste in the preparation is discussed by Alice Gray the girl was shown it by Yoshizawa during a visit to Japan. The folds up tend to be gentle and we are approaching figurine rather than Origami.
Fleur en papier
The slicing out of holes etc. to indicate eyes and so forth is sometimes found in Japanese books and we are obviously dealing with a method which is becoming open-ended. When we fold in a symmetric way to prepare our paper for cutting the folding has obviously become secondary (2). Honda has called this kind of paper-craft Mon-Kiri
(which means crest-making). The last step in the slitting or cutting is paper-cutting, some of the finest examples are probably from China and plainly here we have an open-ended Art form. Supporting A way of moving away from the 'pure' central form is supporting or adding display mechanics to the models. In its simplest form we may use glue, staples or 'blue tac' to hold an auto dvd unit in the desired pose and position. Or we may use wiring or credit card. The most unusual form of 'display mechanics' that We am knowledgeable about is by Toyoaki Kawai.
Bateau en papier
The particular associated arts are Weaving cloth Bateau De Papier Chanson Hugues Aufray and Macrame which are open-ended. However with string we can have 'Cats Cradles' which is a closed-systems game with direct analogies to Origami. Multi-layer Toshie Takahama has produced some superb examples of this variation of Origami. The sheets of paper are folded together but usually opened at the finish to show the multi-layers usually with different colours. In flower folding and possible doll-making the multi-layer technique is exploited for its own sake with little or no folding involved. Multi-Part Isao Honda (15) was probably the first to create techniques involving 2 separate sheets of document each folded to symbolize some part of the animal and then brought Origami Crane Meaning with each other. The idea may well be traditional; if not in the way Honda uses it - see for example the Pagoda in Paper Wonder. Recently kits have came out for folding a dragon from a quantity of pieces of different sizes.
Comment faire un avion en papier
In the most extreme combos of water and papers we are, naturally , in the world of fun which is plainly an open-ended art. DecoratingThe simplest step from the single colour is one side coloured and one white or plain. A great offer of modern Origami uses this colour difference. A delightful example is Mary Homewood's Robin. We Origami Box Star can use the texture of our material which need not even be foil or paper. Neal Elias collects patterned foil and has shown models in 3 colours which rely after deciding on the best pattern and cutting his material to get the colour exactly where he wants them. A more restricted form of decoration occurs in Japanese papers which are already printed with a design ideal for an exclusive model. The end of this process is evidently the decoration of the last model and so into the decorative art proper which is open-ended. Lengthening By stretching our square we obtain rectangles then bow and finally string.